“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
“Embroidery implies patience and discipline, and it could even be thought as a meditative act. Through it I translate my feelings and reflections. In its repetitive movement, I question my constructed ideas and I also exercise new ones, driven by the female legacy intrinsic in the practice.
Inspired by Mexican embroidery and the precolombine textile tradition, research on its historical uses and transformations are fundamental to my practice, challenging the relationship between the traditional and the contemporary.”
Introducing the Cavalletto room divider in collaboration with architect and furniture designer Filippo Andrighetto for Salone del Mobile during Milano Design Week 2024. The Cavalletto room divider
